![]() Sandy Stone, the transsexual engineer with Olivia Records, an "all-women" recording company, illustrates this well. It is significant that transsexually constructed lesbian feminists have inserted themselves into positions of importance and/or performance in the feminist community. Raymond responded by increasing the virulence of her transphobic attack on Stone in the published version of the manuscript: The collective did return comments to Raymond, suggesting that her description of transgender and of Stone's place in and effect on the collective was at odds with the reality of the collective's interaction with Stone. Raymond appeared unaware that Stone had informed the collective of her transgender status before agreeing to join. Raymond accused Stone by name of plotting to destroy the Olivia Records collective and womanhood in general with "male energy." In 1976, prior to publication, Raymond had sent a draft of the chapter attacking Stone to the Olivia collective "for comment", apparently in anticipation of outing Stone. ![]() In 1979, the lesbian feminist scholar Janice Raymond mounted an ad hominem attack on Stone in The Transsexual Empire: The Making of the She-Male. Academic career Attacks by Janice Raymond in The Transsexual Empire In the early 1980s, Stone built a small computer, taught herself programming, and became a freelance coder, eventually becoming recognized as a computer expert. 1974-1978, recording and mixing all Olivia product during this period. Later she became a member of the Olivia Records collective, a popular women's music label, and began collaboration within lesbian feminist circles. Heinlein's novel, The Puppet Masters (1951). The name "Allucquére" comes from a character in her friend Robert A. In 1974 Stone withdrew from mainstream recording, settled in Santa Cruz, California, and underwent gender reassignment with Donald Laub at the Stanford Gender Dysphoria Program in Palo Alto. In the early 1970s, Stone published several science fiction pieces under the pen name Sandy Fisher in The Magazine of Fantasy and Science Fiction and Galaxy magazine. Bennahum, Stone "used to wear a long black cape and full beard." In 1969, Stone wrote about an April 7 recording session at Record Plant Studios with Jimi Hendrix for Zygote magazine. ![]() In the late 1960s Stone moved to New York City and embarked on a career as a recording engineer, initially on the East Coast, and later on the West Coast. Recording engineer, science fiction, and computing John's College in Annapolis, Maryland, receiving a B.A. She has stated she worked at Bell Telephone Laboratories, then worked odd jobs to support her own research. Stone has stated that she disliked formal education and preferred auditing classes with university professors whose work she admired. Stone is Jewish, descended from European immigrants. Stone was born in Jersey City, New Jersey around 1936 with the Hebrew name of Zelig Ben-Nausaan Cohen. Stone is transgender and is considered a founder of the academic discipline of transgender studies. Stone has worked in and written about film, music, experimental neurology, writing, engineering, and computer programming. She is an Associate Professor Emeritus at the University of Texas at Austin where she was the Founding Director of the Advanced Communication Technologies Laboratory (ACTLab) and the New Media Initiative in the department of Radio-TV-Film. 1936 ) is an American academic theorist, media theorist, author, and performance artist. I did have to detach it from the gatefold in order to scan it but that was the only difficult thing about scanning it’s pages.Allucquére Rosanne " Sandy" Stone (born c. Somehow, the booklet is totally pristine. As a result, nothing needed to be done.īooklet: Another curiosity. How this one and the other album I’ll post later escaped virtually unharmed is entirely beyond me. The few albums I have left from my childhood – save one other – have fingerprints and scratches all over them. The records are too and I have no clue why. Ringwear exists too but I cleaned it all up with cloning. Just right-click and open it in a new tab or window.īack cover: The back of this one is a bit scratched up. Also, this opens up noticeably larger than the other parts of this so all text is clear. I did re-proportion slightly as there was a lot of black space around the text that I got rid of. Nothing was done other than to scan, join, and upload. Gatefold-left: The gatefold is just about perfect. Having said that, the cover does have some ringwear that needed addressing so I cloned it out. How this escaped abuse is entirely beyond me. Given how cruel I was to LP’s back then, this whole package is in amazing shape. Front cover: I’ve had this record since the day it came out.
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